Honorees Edith Tanaka and Nob Fukuda with former JCCCNC Executive Director Charlie Morimoto
SAN FRANCISCO — In celebration of its 30th anniversary since opening its doors, the Japanese Cultural and Community Center of Northern California (JCCCNC) will be hosting its annual fundraising event, Tabemasho 2016: Bunka Matsuri on Saturday, Sept. 17, at 1840 Sutter St. in San Francisco Japantown.
But equally important is the fact that Nobusuke Fukuda and Edith Tanaka will be recognized for their leadership role as former presidents of the JCCCNC.
Fukuda and Tanaka served as JCCCNC’s presidents during some of the most challenging, uncertain and also exciting times in the organization’s history. One of the principal goals of the JCCCNC at that time was to be a focal point for the community, but since then it has become something more, a place that is called a second home for many individuals and families.
The JCCCNC would not be here today, 30 years later, if it were not for the Nisei generation’s leadership in shaping its vision and philanthropy, and Fukuda and Tanaka will represent them at the JCCCNC’s annual fundraising event this year.
The program will also highlight three cultural artists from Northern Japan who will share their one-of-a-kind handmade masterpieces. When the March 11 earthquake, tsunami and nuclear disaster occurred five years ago, many of the artists residing in the area were affected by the devastation and the resulting economic impact.
In its rebuilding phase of the Northern Japan Earthquake Relief Fund recovery effort, the JCCCNC allocated some funding to help support artists whose small family businesses were impacted by 3/11. Each of these family businesses has played a key role in their local tourist economy by preserving the handicraft that their area is known for in Japan. The three artists invited have also used their craft to help with the recovery effort by bringing awareness to the cause and helping to bring cheer to people’s lives.
• Koyo Asakura, an eighth-generation kokeshi master, is busy year-round to make his Togatta style kokeshi dolls. Kokeshi doll enthusiasts know that it is important for kokeshi masters to be a part of each phase of creating a doll, including the selection of the tree that serves as the foundation for the finished product. Asakura uses mizuki (birchwood) and has branched out to create more colorful and whimsical kokeshi while still remaining loyal to the historical process and tradition his family has maintained for over 200 years.
• 13th-generation Master Watanabe of Shirakawa Daruma has been creating the iconic daruma style of Shirakawa City, located in Fukushima Prefecture for 40 years. Watanabe believes that it is important to preserve and protect the traditional style of daruma as well as the venue that it is produced in, and the Watanabe studio was awarded historic preservation status by the Shirakawa city government as the original footprint and many areas of the workshop have remained unchanged since the Edo period. Watanabe’s wife Sachiko is also a well-respected artist who produces a more modern style of daruma. She is often requested to make one-of-a-kind daruma for many businesses, individuals and special events, including for the San Francisco Giants, commissioned by the JCCCNC.
• Nozawa Mingei Hin is the main producer of akabeko in Japan, located in the region of Nishi Aizu. Master Hourin is a master hariko creator and is especially known for his traditional red painted paper-mache cows, each which is made by hand and painted with careful precision so that the owner can enjoy it for many decades. Even the box that the akabeko is packaged and sold in is handmade by a local nongovernmental agency in the area that employs physically and mentally challenged people who rely on Nozawa Mingei Hin’s orders as their main source of income.
Minako Hayakawa is also well-known and respected for her okiagari hariko. She paints well-recognized figures onto traditionally created and molded hariko to encourage younger artists and customers to once again take interest and pride in mingei crafts.
Despite the changing times and attitudes of modern Japanese consumers who no longer purchases and displays traditional mingei pieces in their homes as they once did, these artists have not swayed away from tradition and continue to make the same products in the same method and style of their ancestors.
The JCCCNC will celebrate the honorees with a new and exciting format for the event. Instead of serving a traditional dinner, this year it will feature 14 different matsuri-style food booths hosted by the best Japanese restaurants and community chefs in San Francisco. Guests are encouraged to graze their way through a Japanese festival with friends, family and loved ones.
Popular Bay Area restaurants and businesses, such as Bashamichi, Benihana, Café Mums, Kirimachi Ramen, and Yamasho, will line the center’s colorfully decorated gymnasium, with sake tastings from the Tohoku region. Community chefs, including JCCCNC board member Kyle Tatsumoto, Graig Inaba, and Jeff Wun will serve delicious home-cooked treats and Nikkei comfort foods at their personal food booths.
The event will also present a silent and live auction featuring a trip to Japan for four with airfare donated by JAL and five-night accommodations provided by KIE.
Supporting the event (as of Aug. 19) are presenting sponsors Japan Airlines, The Henri and Tomoye Takahashi Charitable Foundation, and Union Bank; benefactor sponsor Wells Fargo; patron sponsors Japanese Chamber of Commerce of Northern California and Pacific Gas & Electric Company.
Registration and silent auction will open promptly at 3 p.m., doors and food vendors will open at 4 p.m., and the program will commence at 5 p.m. Cost is $175 per person for reserved table seating and $50 for children 6-12 years. Call (415) 567-5505 or visit www.jcccnc.org for additional information.
Proceeds from the event will go towards the development of dynamic cultural, educational, social, and outreach programs that serve the 185,000 visitors the center welcomes each year.